Contours
5" x 7"
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The heat has made it almost unbearable to be in the garden so, in ernest, I finally got back to the studio to work on pieces that I had begun before the move. My organized self created a list of "TO DO's" - and I dutifully fell into line.
A few hours into it and I finished one map collage that had languished in a closet for at least 4 years. It was finally done .... and it was less than inspiring. I really don't like it - so it is back in the closet where it belonged.
At that point I told my organized self to take a nap......
Then I put the To Do list away and allowed my time in the studio to flow organically.
I pulled out my notebook, looked through old sketches and the many ideas of things I had noted to try that had accumulated there and pulled out different kinds of maps I had been fascinated with. I began with experimenting with ink jet print transfers. Trial and error**, impatience and not quite having the correct mediums not withstanding, I did successfully transfer a colorful contour map print on to a smooth clay board surface using Mod Podge as my transfer medium. The Mod Podge held on to a very thin layer of the printer paper making the colors look milky white so I had to carefully wet my finger and rub off the excess paper. I then added a thin layer of gloss acrylic gel medium to help enhance the color. Once dry I added a contour map of a female figure.
I am very satisfied with the look of the transfer and the possibilities that the technique holds. I will be experimenting more with this.
**One of my trial/errors resulted in the non-transfer of an antique map print that tore apart - leaving me with absolutely beautiful, delicate and shiny ripped pieces of a skin pale map. I have saved all the pieces.
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work in progress
20" x 20"
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Also began a new piece using a navigational map of the Dry Tortugas. I have been looking at the face in this map for a long time! And, while perusing my notes I found the perfect "eye" in my sketch book that I had drawn from a Raphael painting while visiting the National Gallery in DC a few years ago.
I want this piece to be about light and shadow - althou I am finding that it is very difficult for me to add black; I keep erasing it back to gray, should the whole left side of the piece be in shadow?; incompleteness - I want to be true to the map itself, so how much color or line is too much?; connections - does the baby distract? should the baby be closer to the adult?
Lots to work through - but, as long as I don't make a list I think I will get there!
